Tag Archives: India

Delhi Sunday Morning

I’m sitting on a rattan footstool in order to be close to the modem – the wifi doesn’t seem to be working, but there’s an Ethernet cable, and the ADSL connection is good. Outside the window is a small, presumably ancient tomb, I have no idea whose, another of Delhi’s many semi-abandoned Mughal relics.

But the patch of land it sits on seems to be protected: there are trees enough to attract bright green, long-tailed parrots, and the little chipmunks whose backs are said to be striped because Lord Ram stroked them in thanks for helping build the bridge to Lanka.

We arrived in Delhi late Friday night on the Shatabdi Express from Dehra Dun, along with about 200 Woodstock students “Going Down” to return to their far-flung homes, and 14 staff members who were responsible for getting them onto myriad flights. A Woodstock staffer’s job emphatically does not end with the end of the semester! Some will have been on duty for 24 hours before they saw off the last of their charges yesterday afternoon – even longer if departures were delayed, as they so often are in Delhi’s foggy winter.

Fortunately for us, we only had to go across town to Green Park, where we are staying in a guest house/apartment belonging to a Woodstock alumna. It took us a while to find the place – our hired driver, being from Rajasthan, doesn’t know every corner of Delhi. But, then, I’m not sure anyone does.

The apartment is a third-floor walkup, nicely, if simply, furnished. The location is fairly quiet at night, though I suspect that we are due for some disturbance as the neighbors have had a huge awning put up for some sort of celebration. This morning I was awakened around 7:30 by steady drumming. Seems an odd time for a wedding rite (and also the wrong time of year for weddings), so I wonder what this is about.

As the city wakes up, more sounds impinge. A man on a bicycle pedals through the neighborhood crying: Kabadi kabadi kabadi (“second-hand goods” – he’s looking to buy them, including scrap clothing and paper). Another shouts Koel – I don’t know what that means. Cars make strange chirps and whistles to alert us that they are backing up. But mostly right now I hear parrots, mynahs, and pigeons against a muted rumble of traffic (relatively less – today is Sunday).
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Delhi wildlife: can you spot two green parrots and a stripey squirrel?

I’m breakfasting on fresh papaya, bought from a well-stocked fruit stall around the corner, and Nescafé. Yes, this latter is a terrible comedown for a long-term resident of Italy, but India’s coffee culture is still developing. When I go out I’ll find a Barista or Café Coffee Day and have a decent espresso – Barista was recently bought by Italy’s coffee giant, Lavazza, a brand we drink at home.

I would be happy to sit around and work and listen to the morning symphony, but I’m cramped and chilly. Delhi is much colder than I expected at this time of year, but everything here is built for the fiercely hot weather of summer. Rooms which are doubtless delightfully cool and airy then are shivering cold now, with no possibility of heating. The shops, on the other hand, tend to be too warm without their habitual air conditioning. I’m going shopping!

Bollywood Rising – Watching Hindi Movies at Woodstock

dancing to “The Beedi Song” from Omkara

When I attended Woodstock School, I never saw Hindi movies. This was partly a matter of logistics: Mussoorie’s two cinemas were available to us only on Saturdays, and a dark movie hall struck me as good mostly for getting groped by strange men – not something I was anxious to encourage; I got enough of that elsewhere in India. (I did venture once or twice, with a gang of friends, to see a rarely-offered English-language film.)

But Hindi films were such a large part of Indian culture that I couldn’t help being aware of them. We heard, and sometimes even sang, fun-silly songs with refrains like “My name is Anthony Gonzales!” or Chal, chal, chal, meri hathi, o meri sathi… (“Let’s go, my elephant, my companion.”)

During our senior year (1980-81), the original Om Shanti Om, a disco ditty, took India and the school by storm – we played it, to enthusiastic reception, at every school dance (as shown above) …but most of us (even some of the Indian students) still thought Western music and movies were cooler.

Our opportunities to see films of any kind were limited – there were no VCRs or DVD players in those days, and Indian television offered only one state-run black-and-white channel, Doordarshan. The sole television set on campus belonged to Brij Lal, our Hindi teacher, who used it mostly to watch cricket.

These days, Woodstock students have far more choices in entertainment: satellite TV and DVD players in every dorm, and of course you can watch DVDs and Video CDs (widely available in India, and cheaper than DVDs) on your laptop. Mussoorie’s cinemas have both closed down, but are not much missed (though people do happily go to the fancy multiplexes in larger cities).

At the same time, Hindi movies (now bearing the epithet “Bollywood”) have gotten better. The stories can still seem ridiculous to cynical American tastes: full of improbable coincidences, with plot points that often hinge on non-Western cultural norms. Bride & Prejudice worked as an update on Jane Austen’s classic because the “transgressions” of the sisters would seem shocking only in a relatively conservative culture like India’s.

Bollywood eye candy has also improved. Though Indian female stars have always been gorgeous, some of the male stars I observed in the 70s could get away with a bit of a paunch straining their fashionable safari suits. No longer. Nowadays they all work out with professional trainers, with results that speak for themselves.

All this, plus a larger Indian population at the school, has led to burgeoning interest in Bollywood movies among Woodstock students – not least, my daughter, whose current dream is to meet Shahrukh Khan. I was amused to have a houseful of (mostly) American exchange students enthralled by this year’s big hit, Om Shanti Om.

And I could understand why. It’s a great, goofy, fun movie. And, contrary to what some reviewers have said, you don’t have to understand all the Bollywood in-jokes to find it amusing.

So what if everyone bursts into song every ten minutes? That just adds to the fun! (And fans of western musical theater can enjoy themselves picking out the musical and scenographic borrowings from “The Phantom of the Opera” in the climactic scene.) Oh, yes – our old friend Arjun Rampal is in it, too.

If you’re new to Bollywood, I highly recommend Steve Alter‘s new book, “Fantasies of a Bollywood Love Thief” as an introduction.Among many other things, the book is a sort of production diary for Omkara, an Indianized retelling of Othello directed by Vishal Bhardwaj, who also composed the wonderful music.

As soon as I finished the book I rushed out to buy the movie, which is excellent. I can tell good acting when I see it, though I’m having trouble with the dialog: the VCD we bought has Hindi subtitles instead of the promised English, and my Hindi has not yet come back strongly enough for me to follow complex sentences in hifalutin’ semi-Shakespearean language which is at the same time in a western Uttar Pradesh dialect!

Mussoorie Miscellany

So much to write about, but I’ve been so busy with so many things that it’s hard to gather my thoughts into a coherent narrative. So… a few random notes and photos.

Life in Mussoorie is a lot more comfortable (and energy-intensive) than it used to be. Room heaters run on gas cylinders are very common, though apparently every winter there are dire warnings that there will be a shortage of cylinders, and this year it might even be true. Failing those, there are kerosene heaters and bukharis – wood-burning, cast-iron stoves (above).

There are vehicles everywhere now; it’s easy and cheap to get a taxi almost anywhere in town. I’m out and about far more than I ever was before, because I know that, no matter how far I walk out, I don’t have to walk back unless I want to.

Today Ross and I walked down from Sisters’ Bazaar to Landour. Our first stop was the shoemaker where yesterday I had picked up a pair of made-to-order sandals (to wear in warmer climes): Rs. 250, about 5 euros.

Today we ordered copies of Ross’ beloved Fornarina cowboy boots (the green one in the photo below). Hers will be red with black stars, mine black with red stars. Rs. 2500 (50 euros) each. The originals cost 250 euros.

handmade cowboy boots

Next stop was Inam the tailor, where I dropped off a length of hand-embroidered Kashmiri wool to be made into a salwar-kameez outfit. These are so beautiful and practical in winter (at least in places that don’t have much heating) – and will definitely turn heads in Lecco!

Then we stopped at the dosa shop – the same old one that was so popular in my student days. Ross wasn’t sure she liked dosa (a thin, griddle-fried bread made from rice flour), but soon decided that she did. This was my masala dosawith wonderful tomato and coconut chutneys, and a side of sambar:

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Mussoorie is still full of unintentionally funny signs:

funny Indian sign

I had to think about “attechies”.

Toys of Empire – Teaching Young Bengalis to be Bureaucrats of the Raj

While I was in New Mexico last weekend, Sharon and I drove to Santa Fe. The town has many museums, but we visited only one: the Museum of International Folk Art. It’s not big, but offers plenty to keep the attention. One room has drawers full of decorative panels from Bangladeshi rickshaws, and molé cloth work.

Most fascinating to me was the Girard Wing, created from the personal collection of a bi-cultural globetrotter whose taste in funky objects I completely concur with. It’s an enormous room crammed to bursting with toys, figurines, masks, and tapestries, arranged according to some interior logic of the donor, which doesn’t always make sense to the outside observer. Girard didn’t believe in labels, and I can see his point: I get distracted reading the text instead of observing the object it describes. So he put discreet little numbers on the cases, corresponding to a catalog with one terse paragraph of description per case. This was very frustrating at times – you’re left wondering: “Where is that thing from? What does it mean? Why does this mask show a person with pursed-out lips with a lizard climbing down his nose?”

And: “Why does this 18th-century Bengali story-teller’s scroll illustrating the life of Krishna feature (Indian) people and gods dressed for the French royal court in knee pants, hose, and big wigs?”

We weren’t sure if we were allowed to take photos (though there weren’t any signs saying otherwise), but I couldn’t resist snatching some shots of these.

The catalog inadequately explained that they are from Bengal, and represent scenes of the workings of the British empire – intended as educational toys, perhaps to show Bengali children the (limited) jobs that would be available to them in the British bureaucracy.

At the top of the page you can see a higher court in full session. Aren’t these guys wonderful? Look at the detail of their moustaches and beards, and the little white pith helmets on the table.

Below is a detail showing the British judge in his white jacket, with the plaintiff in the white dhoti and turban in the foreground, under the watchful gaze of a guard in blue.

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Below, I think, is a low-level magistrate’s office with a “native” judge. I’m guessing from their loincloths and hairstyle that the plaintiffs are tribal people.

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^ Here’s a surveyor’s office, everyone busily drawing maps – except their British supervisor (who appears to be a close relative of the judge). There’s even a guy with a rod, ready to go out and take more measurements.

Ross Got Into Woodstock School

A week or so ago I ran across this on the blog of one of my new colleagues at Sun:

To A Daughter Leaving Home

When I taught you
at eight to ride
a bicycle, loping along
beside you
as you wobbled away
on two round wheels,
my own mouth rounding
in surprise when you pulled
ahead down the curved
path of the park,
I kept waiting
for the thud
of your crash as I
sprinted to catch up,
while you grew
smaller, more breakable
with distance,
pumping, pumping
for your life, screaming
with laughter,
the hair flapping
behind you like a
handkerchief waving
goodbye.

Linda Pastan

…in other words: Ross will be attending Woodstock School in India next year.

I’m so happy I’m in shock. And, at the same time… I will miss her to the marrow of my bones. Wish us all luck.