Category Archives: India

Travelling India in Luxury… and Out

In 1998, I visited India twice. The first trip, around May I think, was to fulfill a promise made in 1996 to Woodstock School, that when they got Internet access I would come and help train the staff in using the Internet. Which I did, and it was both fun and funny, but that’s another story.

The second trip was almost accidental. I was at the Adaptec offices in California, on one of my usual summer visits, when the subject of the HP Asia trip came up in a staff meeting. Hewlett-Packard planned a six-week trip of Asia, Australia, and New Zealand, a marketing road show for resellers and distributors throughout the area. They wanted someone from Adaptec along to talk about our software, which was bundled with their CD recorders. No one wanted to do the entire trip, so we discussed how to divvy it up. There were immediate volunteers for Australia/NZ and east Asia. India was also on the itinerary.

“I’m probably the only one who has all the shots for India,” I said.

“Shots?!?”

There were no other takers, so India was mine.

The first half of the trip I spent in the lap of luxury. In Delhi I stayed on the Executive floor of the Taj Mahal hotel, one of the world’s finest. With HP’s corporate discount it wasn’t, by US corporate standards, even terribly expensive (about $175 a night) and I wasn’t paying for it, anyway. The service was the best I’ve had at any hotel, ever: competent, efficient, and always there, without being intrusive. Internet access from anywhere in India wasn’t great in those days, so downloading dozens of email messages per day was quite a chore, but, with the help of a very smart hotel technician, we eventually got it done. She was startled when I told her how valuable her skills were, but I’m sure that by now she has figured it out.

From Delhi I flew to Mumbai (Bombay), then Chennai (Madras). I was one of three or four speakers at each stop. The others had prepared PowerPoint presentations about various aspects of HP technology; I did off-the-cuff demonstrations of our CD recording software. The audiences seemed to enjoy my ad-libbing more than the canned presentations, even though those included lots of multimedia bells and whistles.

While drinking tea after the presentations, I would chat with the resellers and distis. One man kindly asked if this was my first visit to India, did I intend to visit the Taj Mahal etc. etc. I explained my long history with India, including four years at Woodstock School, a study abroad year, and a degree in Asian Studies and languages. “You’re more Indian than I am!” he exclaimed. A women in Delhi told me that her own kids didn’t speak Hindi fluently; they spoke English at home and school, were studying French as a second language, and only spoke Hindi with the servants, “So they speak it very badly.”

From Chennai I flew back to Delhi, then took the train and a taxi up to Mussoorie for a visit to Woodstock. From the lap of luxury to the lap of… well, not luxury. I traded my snappy business suit and heels for jeans and hiking boots. It was unseasonably raining most of the time I was there, and I was staying with friends at the top of the hill, so by the time I got home from school each evening I was soaked to the knees (sometimes higher), and the air was too damp for anything to dry just by hanging. (Clothes dryer? Are you kidding?) I put my jeans on top of the woodburning stove to dry, and accidentally scorched them.

When my week was up, I took a taxi back down the hill to catch my train. It was raining harder than ever. We drove over a few minor landslides, and probably just missed getting stuck behind a major one. As we bumped along, I amused myself pondering the contrasts of my two weeks in India, and the amazing contradictions and contrasts you can see every day, anyplace, in that country.

Benares: The Distilled Essence of India

I spent the academic year 1985-86 in Benares, India’s holy city on the Ganges, on the University of Wisconsin’s study abroad program. I was the only one of the group of twelve students who had previously been to India, but I was wrong in thinking that that prepared me for Benares. Benares is the concentrated essence of India: teeming, filthy, intense. I was overwhelmed, and to this day I’m a bit surprised that I survived it; I used to run away to Allahabad to visit friends, drink Scotch, and watch videos.

Yet there was great beauty in Benares, beyond the standard boat trips on the Ganges and views of the temples and ghats.

One of our first evenings in Benares, some teammates and I decided to explore. We got lost almost immediately, and were a bit frightened, as well as beseiged by hawkers wanting us to look at this and that shop of tourist goods (they didn’t know we were poor students). We decided to go into a silk shop, to get everyone else off our backs for a while. This was the ground floor of a home made of whitewashed concrete, with wooden double doors and window frames painted blue or green. We took off our shoes and were ushered into the sales area, where the floor was completely covered by a white mattress, with white pillows to lean on. We were given hot, sweet, milky tea. Then the lights went out – one of Benares’ numerous power cuts. But kerosene lanterns were brought, and by their flaring golden light the shopkeeper began displaying his wares.

Benares is famous for its silks, richly colored and brocaded, with gold or silver borders. He flung out silk scarves so that they exploded into our laps like a fireworks display: magenta, scarlet, royal blue, parrot green – color after color, pattern after pattern. Scarves of all different sizes, then cushion covers and shawls. Had we been Indian women, we would have seen saris as well, or probably first. (Towards the end of my stay I did buy a Banarsi silk sari, to wear to a friend’s wedding; it took weeks to track down exactly the right shade of peacock blue, with a silver and black border. I only wore it the once, but I still have it.)

We didn’t buy anything that night, but the shopkeeper didn’t seem to mind, nor to feel that he’d wasted tea on us. We praised his silks as extravagantly as they deserved, and thanked him profusely, and he was very kind. Eventually we got away and found our way home. After that, I wasn’t so nervous about exploring Benares. People were usually pleasant; it helped that I spoke Hindi fluently.

I loved the gallis: the old, narrow, twisty streets, where the considerable flow of human, bicycle, and scooter traffic could be stopped dead by a cow suddenly deciding to have a lie-down. A galli is only about as wide as your outstretched arms can reach, but it’s as crowded as 5th Avenue, and similarly lined with shops. Except that these shops are reached by climbing up a few wooden steps, so that when you’re in the shop you look out and slightly down onto the crowd. There’s usually no glass window, so you can hear and smell the traffic as well as see it. It’s like having a ringside seat at the circus.

My favorite was the bangle shop, selling traditional glass bangles in thousands of colors and patterns. I visited so often that the bangle-wallah and I became friends. He was delighted that I would eat paan and drink lassi or tea. Paan is betel nut, served minced with lime (calcium) paste and spices, folded up in a fresh green paan leaf. You pop the whole thing into your mouth and chew it. I always had mitha (sweet) paan, without tobacco. Paan is supposed to have a mildly stimulating effect, but I never noticed it, perhaps because I was already so stimulated by my surroundings. It has an astringent flavor, and produces quantities of brick red saliva that you have to spit into the street (hence the red splashes you see everywhere in India). Lassi is a yogurt drink that can be sweet or salted, very refreshing in hot weather. (Yes, I probably picked up lots of parasites this way; hot tea is a lot safer.)

The bangle-wallah and I would sit for hours, chatting and watching the tourists. He found it hilarious that adult male Americans would wear shorts in public: “In India, only boys wear shorts!” Buying bangles was almost an afterthought; I chose them carefully to match the colors of my salwar-kameez (pants and tunic) outfits. The walls of the shop were lined with horizontal wooden rods, each covered from end to end in bangles: plain glass, mirror glass, cut glass, worked glass, twisted glass, glass with gold or silver accents… You wear at least a dozen per arm, and they tinkle delightfully as you move and they gently clash together. Yes, in the end they all break – then you just get more!

I had so many bangles that I bought my own wooden rod, which I propped between a big tin trunk and a shelf in my room. One of my going away to Benares presents had been a rich lanolin soap in the shape of Alice’s Cheshire Cat; I kept it on the shelf when I wasn’t bathing. One night I heard my bangles tinkling on their rod. I snapped on the light, and saw a scurry and a whisk as a rat ran out of sight. He had climbed up the trunk and then run across the bangles to gnaw on the soap; I guess lanolin tastes good to a rat. So the rat was eating the Cat.

Nostalgia link: musicians from my Benares days

Seeing Beauty

Even in Places Not Famous for It (Like Milan)

Rossella started high school last week, she’s going to liceo artistico (art high school). Monday was the first day of regular classes, so they’re moving through the timetable and meeting their teachers one by one. For religion class they have a Catholic priest, who nonetheless explained that his class would not be catechism: “I’m not here to convert anybody.” He asked the class why they had chosen liceo artistico; someone must have mentioned creating beautiful things, because the conversation then moved on to how to define beauty. Ross tried to express something about beauty being in the eye of the beholder. Her example was: “My mother loves India and sees beauty in it; my father can’t understand how anyone could see beauty in a place of such poverty and squalor.”

I was struck by this, because I haven’t often talked or written about India in terms of beauty (partly because I don’t have much gift for physical description). Ross is right, I do see beauty in India, and in most other places I’ve visited. Where I can’t find beauty, I can usually at least find humor and interest. I guess that is my particular, peculiar gift.

There is beauty almost everywhere, if you are open to it. Take Milan, for example. At first glance it’s drab and dingy, and not considered much of a tourist destination. As an industrial center, Milan was heavily bombed during WWII, and afterwards rebuilt hastily – and often tastelessly. The few impressive pieces of architecture left are too over the top to be called beautiful: the world’s most Gothic cathedral (unfinished – after 600 years they’re still adding frills), and a huge marble railway station, the very epitome of Fascist architecture.

But, if you’re willing to look, you can find fascinating things. One of my favorites is an apartment building in via Vivaio, done in heavy stonework to look rather like a castle, adorned with huge cherubs near the roof. Peer into the entryway and admire the interplay of red brick, polished gray stone, and golden tiles. Weirdly, you might hear a peacock’s harsh call. This is from across the street. That place is owned by a wealthy retired couple, who obtained permission from the Milan city government to knock down the adjacent building and create a huge garden for themselves, by willing the entire property to the city after their deaths. In the meantime, they have filled the garden with peacocks and flamingoes.

Paul Hackney: Learning About India

filmed at the Woodstock Old Students’ Association (North America) 2003 reunion

Paul reminisces about what he learned about Indian culture from Indian friends and neighbors.

More Woodstock Videos

Tenzing’s Monkey Tales

Mussoorie Monsoon Melody

Tibetan Prayer Wheels at Happy Valley

Cicadas

Jana Gana Mana

A Day in Bollywood…in Locarno, Switzerland

We had a tremendously fun day yesterday. Thanks to Tom Alter, the Woodstock alum I mentioned a while ago, we got to hang out at the Grand Hotel in Locarno, Switzerland, where an Indian film is being shot. It’s a complicated thriller called “Asambhav” (“Impossible”) involving several gangs of malefactors plotting to kidnap India’s president. Of course there’s a resourceful and daring Indian secret service agent to step in and save the day, and a former Miss World to fall in love with him and help him beat the baddies (one of whom is played by Tom).

The hero is drop-dead gorgeous Arjun Rampal, a supermodel-turned-actor who happens to be a graduate of Kodaikanal, Woodstock’s sister institution in south India. He’s a thoroughly nice guy, whose ego seems not to be inflated by the fact that he’s a heart-throb to zillions of Indian girls (many of whom have websites dedicated to him).

Naseeruddin Shah, Rossella Laeng

I liked Arjun, but was thrilled to meet Naseeruddin Shah, one of India’s finest actors, familiar from my university days. Our Hindi professor used to show us films, mostly depressing ones such as “Aakrosh,” about a mute sharecropper whose wife is raped by a landowner. Naseer played a young lawyer trying (and ultimately failing) to achieve justice. More recently, Naseer is familiar to western audiences as the father in Mira Nair’s Monsoon Wedding, and about to become more so as Captain Nemo in The League of Extraordinary Gentlemen.

Why Locarno? Tom told me that the Swiss government very actively promotes and supports Indian filmmaking in Switzerland. Indian filmmakers love the locations (yes, India has plenty of mountains, but they are far less accessible than Swiss ones), and bring business to the area (e.g., some technicians and equipment are hired locally, and one of the stuntmen is a bouncer at a local disco). The cast and crew, about fifty people, have taken over the Grand Hotel, a lovely old relic of a bygone era, soon to be consigned to some ignoble fate (possibly as a casino). To keep costs down, the team brought their own cooks from India, so we had an excellent Indian lunch and an endless supply of chai(Indian tea: tea, milk, and sugar are boiled together).

Rossella Laeng, Arjun Rampal

We got to watch a bit of filming, a single shot in which Naseer runs down a staircase, stops at the bottom, and shoots the guy following him, who falls theatrically, if unrealistically, over the bannister. This was maybe ten seconds of film, but it took four hours and dozens of people to set it up. Tracks were laid for the main camera to dolly along. Lighting had to be set up just so. Mattresses were laid to fall on. The stuntman was wired with a blood packet, detonated remotely by a gunshot technician whose partner handled the guns and made them go bang. The stuntman repeatedly practiced running down the stairs and getting shot, but stopped short of actually falling over the railing.

No one minded us tourists standing around, though director Rajiv Rai was worried that Rossella might be scared by the noise of gunfire. Not a chance. She was too busy soaking it all in, with an eye to her own future career in film.

Finally everything was ready. Down runs the man in the black mask (Naseer), followed by a pudgy bad guy (or was he padded?). Exchange of gunfire (not that loud, really, in spite of the enclosed space), blood appears, pudgy guy finally pitches forward over the railing onto the mattresses. End of take. Applause. Then everyone began setting up for the next shot, at the other end of the hallway.

We decided to go for dinner rather than wait another four hours to see the next shot. The restaurant had paper placemats, so Rossella drew her impressions of the day’s events, including Arjun getting beaten at tennis by the local top player (an attractive young woman). When we got back to the hotel, Ross hid while we presented this to Arjun, who chased her down, pretending to be angry, but insisted on keeping the cartoon.